Instal Scholar of the Arcane Arts1/16/2024 ![]() ![]() And perhaps its evident humour reflects the artist's often–quirky choice of subject, much of this drawn from the stuff of everyday. We also see her working with fabrics, these woven in grids and as tissue-box tea cosies, or painstakingly stitched, filled and sewn with solemn Shakespearean words.Īt times the work appears banal: wilfully so. We find two–dimensional imagery, for example, co–mingling with metal objects, or drawings that may function as doodling precursors to jewellery and sculptural ceramics, all of it rich with narrative ironies. ![]() It is a personal discourse that ruminates inwardly, and her work can seem conceptually opaque and inscrutable in intent, despite being predominantly objective in character. She inventively pursues ideas in company with her materials, wherever her curiosity leads.Īs a result of progressive experimentation her work also has evolved in its sophistication and vocabulary, with a discernable discourse now in play of poetics, aesthetics and forms. Defined principally by an enduring engagement with casting hot metals, such as bronze and lead, Nikou's art nonetheless follows multiple trajectories in choice of media. There is something about the subtle, yet deliberate material qualities Nikou invests in her work that signal her alchemical instincts. Though they are indisputably of our time, Michelle Nikou's strange objects hark back elusively to some other era, as if in search of a language and spirit that has been lost to the contemporary world, or that, like mythic treasure buried in the prehistoric earth, can only be recovered through arcane means and God's luck. ![]()
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